A handbook of new curatorial strategies based on pioneering examples of curators working to offset racial and gender disparities in the art world More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition. Found inside – Page 264264 PINDELL , HOWARDENA DOREEN Pindell , Howardena Doreen ( 1943- ) MoMA file ; AIC file . Brockington , Horace . " Howardena Pindell ” in 9 Afro - American Printmakers . Detroit , MI : Wayne State University , 1988 , 9 , 17 , 26. Artwork by Richard Long. Found insideIn Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Found insideWith handsome reproductions of White’s finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his ... This catalogue explores the dichotomy between the artist?s work in the exhibition?s titular video, which examines the history of lynching and state-sanctioned violence in the United States, and a selection of abstract and thematic paintings ... A critical discussion of the art works, lives, associates, and influences of over 90 20th-century female artists representative of four ethnic groups: African American, Asian-Pacific American, Latin American, and Native American. As modern technology becomes ever more sophisticated and pervasive, objects appear to communicate with us: phones talk back, refrigerators suggest recipes and websites seem to anticipate our desires.Through a conceptual assemblage of ... An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. This book and exhibition offer a historical and theoretical account of the transformations that media and information technology have had on painting in Western Europe and North America. Selections of writing by the influential art critic and curator Kellie Jones reveal her role in bringing attention to the work of African American, African, Latin American, and women artists. Edited by Katy Siegel. Essays by Dawoud Bey, Anna Chave, Robert Pincus-Witten, Katy Siegel and Marcia Tucker. Foreword by Judith Richards. Introduction by David Reed. Found insideEssays that seek to redefine the status of theory in modernist critical discourse Informed by both structuralism and poststructuralism, these essays by art critic and historian Yve-Alain Bois seek to redefine the status of theory in ... This publication assembles works by ca. forty different artists in an attempt to find a place in art history for the multilayered affinities between contemporary dance and the modern visual arts of the past forty years. On Line: Drawing Through the Twentieth Century explores the radical transformation of drawing that began during the last century as numerous artists critically re-examined the traditional concepts of the medium. This volume features Nengudi's recent nylon mesh pantyhose and sand sculptures that respond directly to her performative, biomorphic series Répondez s'il vous plaît (RSVP) (1975-77). This publication provides an overview of Howardena Pindell's (born 1943) work from 1974 to 1980, an incredibly innovative period in which she began cutting the canvas in strips and sewing them back together, then building up the surface in ... New Perspectives is the companion volume to the acclaimed Sourcebook, both of which accompany the Brooklyn Museum's exhibition We Wanted a Revolution: Black Radical Women, 1965-1985. Found insideArtists have long been stimulated and motivated by the work of those who came before them—sometimes, centuries before them. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. In the period of radical change that was 1963-1983, young black artists at the beginning of their careers in the USA confronted key questions and pressures. With 126 years spanning the distance between the works on the first and last pages of this book, MoMA Masterpieces offers an unparalleled opportunity to immerse oneself in the multitude of artistic approaches encompassed under the banner of ... This is a new release of the original 1940 edition. "An exploration of the life and work of the African American female artist, Howardena Pindell"--Provided by publisher. Found insideThis text examines the collection of feminist art in the Museum of Modern Art. It features essays presenting a range of generational and cultural perspectives. "When I do my sculpturing work things just roll across my mind. I lay down and dream about the sculpture," he wrote. "That gives you in your head what to do. If you can't hold it in your head, you can't do it in your hand. Selected from an album of photographs orginally made for the Paris Exposition of 1900. Exhibited in the Edward Steichen Photography Center, Museum of Modern Art, in Jan. 1966. Featuring works by more than 30 artists and writings by leading scholars and art historians, this book -- and its accompanying exhibition, both conceived by the late, legendary curator Okwui Enwezor -- gives voice to artists addressing ... Published on the occasion of a new exhibition at Victoria Miro, this book ? accompanied with a new text by Olivia Laing ? includes a number of new paintings of the artist?s mother, Daryll, part of an ongoing series that Joffe began some ... Found inside" In this new collection of her essays, reviews, and interviews, Alexander again focuses on African American artistic production, particularly poetry, and the cultural contexts in which it is created and experienced. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. Accompanied by critical essays and analysis, a groundbreaking collection of art produced by women artists during the 1970s reveals the influence of the feminist revolution on art in works by Judy Chicago, Louise Bourgeois, Susan Hiller, ... Magnetic fields, an introduction / Erin Dziedzic and Melissa Messina -- Black, woman, abstract artist / Lowery Stokes Sims -- Conversations. The book includes 70 color and 130 black-and-white images, a chronology of the policy decisions and developments that altered the face of New York City from 1950 to the present; an autobiographical story by David Wojnarowicz; and essays by ... Double Consciousness explores the conceptual art practices of African-American artists over the past 35 years, using as its underpinning, the "reflexive" nature of art-making which emerged with the avant-garde of the late 1960s. "Agnes Denes, the queen of land art, made one of New York's greatest public art projects ever in 1982. Now, the world might be catching up with her. Found insideEdited by Michael Darling. Text by Graham Bader, Michael Darling, Elizabeth Mangini, Mika Yoshitake. The first-ever history of New York's pioneering art space, with film stills, ephemera, and photography in a scrapbook style, this groundbreaking publication captures the vibrancy of a long and venerable tradition that began with the ... Piper's artwork is in the collections of The Museum of Modern Art, the Centre Pompidou, the Metropolitan Museum of Art, the Generali Foundation and the Museum of Contemporary Art of Los Angeles, among others. Inspired by the authors' experiences of looking at and making art with kids and families at the Museum of Modern Art, and designed to get both children and adults to start thinking like artists, this volume presents an array of projects ... And Melissa Messina -- Black, woman, abstract artist / Lowery Stokes Sims -- Conversations Bader!, Museum of Modern art, in Jan. 1966 the moment when the rights... 'S elite art galleries Messina -- Black, woman, abstract artist / Lowery Sims. 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